Ο πληθυντικός αριθμός     Θερμοπύλες

IT MUST BE A CHOICE.
It must be a choice.
To change, provided however that nothing will change.
It is easy, impossible, difficult, it is worth trying.
If necessary, her eyes are blue one time and grey the next,
black, happy, without reason full of tears.
She sleeps with him like a tramp,like the only woman in the world.
She gives him four children, none, one.
Naive, but she gets by quite well.
Frail, but she lifts weights.
She does not have her head on her shoulders but she will have it one day.
She reads Jaspers and women's magazines.
She does not know what this screw is for but she builds bridges.
Young, young as ever, always still young.
She holds a sparrow with abroken wing in her hand,
her own money for a long trip far away,
a big knife, pills and a shot of vodka.
Where is she running in that way, isn't she tired?
Of course not, only a little, a lot, it doesn't matter.
She is either in love with him or is being stubborn about it.
For better or worse and with God's compassion.
Wislawa Szymborska
GROWING IN SPIRIT
He who hopes to grow in spirit
will have to transcend obedience and respect.
He'll hold to some laws
but he'll mostly violate
both law and custom, and go beyond
the established, inadequate norm.
Sensual pleasures will have much to teach him.
He won't be afraid of the destructive act:
half the house will have to come down.
This way he'll grow virtuously into wisdom.
Constantine Cavafy
Ithaka
HERBSTTAG
Herr: es ist Zeit. Der Sommer war sehr gross.
Leg deinen Schatten auf die Sonnenuhren,
und auf den Fluren lass die Winde los.

Befiehl den letzten Früchten voll zu sein;
gieb ihnen noch zwei südlichere Tage,
dränge sie zur Vollendung hin und jage
die letzte Süsse in den schweren Wein.

Wer jetzt kein Haus hat, baut sich keines mehr.
Wer jetzt allein ist, wird es lange bleiben,
wird wachen, lesen, lange Briefe schreiben
und wird in den Alleen hin und her
unruhig wandern, wenn die Blätter treiben.
Rainer Maria Rilke
PASSING A TRUCK FULL OF CHICKENS
AT NIGHT
ON HIGHWAY EIGHTY

What struck me first was their
panic.

Some were pulled by the wind
from moving
to the ends of stacked cages,
some had their heads blown
through the bars --

and could not get them in
again.
Some hung there like that -
dead -
their own feathers blowing, clot-
ting


in their faces. Then
I saw the one that made me
slow some -
I lingered there beside her for
five miles.


She had pushed her head
through the space
between bars - to get a better
view.
She had the look of a dog in the
back


of a pickup, that eager look of a
dog
who knows she's being taken
along.
She craned her neck.


She looked around, watched
me, then
strained to see over the car -
strained
to see what happened beyond.


That is the chicken I want to
be.
Jane Mead

(from "The Lord and the General Din of the World",
Sarabande Books, Louisville,KY)
GOING HOME

He came home. Said nothing.
It was clear, though, that something had gone wrong.
He lay down fully dressed.
Pulled the blanket over his head.
Tucked up his knees.
He's nearly forty, but not at the moment.
He exists just as he did inside his mother's womb,
clad in seven walls of skin, in sheltered darkness.
Tomorrow he'll give a lecture
on homeostasis in metagalactic cosmonautics.
For now, though, he has curled up and gone to sleep.
Wislawa Szymborska
AS MUCH AS YOU CAN

Even if you cannot shape your life as you want it,
at least try this
as much as you can; do not debase it
in excessive contact with the world,
in the excessive movements and talk.

Do not debase it by taking it,
dragging it often and exposing it
to the daily folly
of relationships and associations,
until it becomes burdensome as an alien life.
C.P. Cavafy

AN UNEXPECTED MEETING

We treat each other with exceeding courtesy;
we say, it's great to see you after all these years.

Our tigers drink milk.
Our hawks tread the ground.
Our sharks have all drowned.
Our wolves yawn beyond the open cage.

Our snakes have shed their lightning,
our apes their flights of fancy,
our peacocks have renounced their plumes.
The bats flew out of our hair long ago.

We fall silent in mid-sentence,
all smiles, past help.
Our humans
don't know how to talk to one another.
Wislawa Szymborska







Artists In Labs
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